The Hue complex is located approximately 100 km northwest of Danang, the largest commercial city in the middle region of Vietnam. The city is divided into old and new sections on either side of the Fon River, extending nearly 4 km in all directions. Although it has high temperatures and humidity (except during the dry season from November to April) with an average annual precipitation of 2,900 mm, the summer is not as oppressively humid as in Japan.
Hue, the ancient capital of Vietnam, is a city with a long cultural heritage unparalleled anywhere else in the country.
The northern bank of the Perfume River contains the relics of palaces, constructed as an arc of defensive ramparts 11km in length. This valuable site comprises more than 100 architectural works from the Nguyen dynasty. Situated in the hills o¬n the southern bank of the Perfume River are the beautiful tombs of the Nguyen kings. Four of these tombs are particularly notable as their designs reflect the opinions, personalities and tastes of the emperors they incarcerate. They are the majestic Gia Long tomb, the imposing Minh Mang tomb, the poetic Tu Duc tomb and the magnificent Khai Dinh tomb.
Hue is also an important center of Buddhism. The city and its surrounding area still contain dozens of pagodas constructed more than 300 years ago.
The city is renowned for its traditional dishes and sophisticated handicrafts as well being the place where royal music is originated.
Hue still retains its original layout from the Middle Ages and therefore the whole city is in effect a vast and invaluable museum. The historical sites of Hue have been classified by the Vietnamese government as very precious property and in December 1993 Hue was recognized as a World Cultural Heritage Site by UNESCO.
World Heritage Site : The archaeological sites of Hue are the remains of the capital of Nguyen, the last Vietnamese dynasty that was prosperous from the early 19th to the mid 20th century. Although based on an architectural style from China, these structures incorporate both Baroque and traditional Vietnamese architecture. Now recognized for their historical and artistic value, they were included in the UNESCO World Heritage Site list in 1993.
Complex of Hue Monuments
Labels:
Central Vietnam,
Hue province
Bach Ma National Park
Bach Ma National Park is located in central Vietnam in the province of Thua Thien Hue, around 700 km south of the country's capital Hanoi and 1,000 km north of Ho Chi Minh City (Saigon). The national park covers an area of about 22,000 ha in the districts of Phu Loc and Nam Dong. It was created in 1991 to protect the centre of the last corridor of forest stretching from the South China Sea to the Annamite mountain range at the border with the Lao PDR. With steep mountains and dense forests, this area is home to a wide variety of animals and plants. At the base of the mountains there is tropical monsoon forest, with sub-tropical forest above 900m. There are species from both northern and southern Vietnam, and Bach Ma is recognized as o¬ne of the areas of Indochina with high biodiversity. Bach Ma mountain peak is the highest point in the park at 1,450 m above sea level and is o¬nly 18 km away from the coast.
Labels:
Central Vietnam,
Hue province,
Nation park
Phong Nha-Ke Bang National Park
The Park is considered a paradise for researchers and explorers of grottoes and caves and is the home to 140 families, 427 branches, and 751 species of precious plants
Phong Nha - Ke Bang is a national park in the center of Quang Binh province in north-central Vietnam. It protects one of the world's two largest karst regions with several hundred caves and grottoes. Its name derives from Phong Nha cave, the most beautiful one, with numerous fascinating rock formations, and Ke Bang forest. The plateau is probably one of the finest and most distinctive examples of a complex karst landform in Southeast Asia.
Location:
Geographically, the Phong Nha-Ke Bang National Park (PNKBNP) is located in central Vietnam, about 500km south of the capital, Hanoi, within the Quang Binh Province.
The western boundary of the Park partially forms Laos-Vietnamese border, which is only 42km from the sea. The Park is found within the geographical co-ordinates of 170 20'-170 48' N and 1050 46-1060 24' E in Bo Trach and Minh Hoa Districts.
Recognition by UNESCO in 2003
Phong Nha-Ke Bang National Park was first nominated as a UNESCO World Heritage Site in 1998. The dossier submited to UNESCO was for the recognition of Phong Nha nature reserve as a world natural heritage under the name “Phong Nha Nature Reserve”. The reason given for the nomination was that this nature reserve satisfied the criteria of biodiversity, unique beauty and geodiversity (criteria I and iv).
It was recognized as a world natural heritage site at the UNESCO's 27th general assembly session being held in Paris in June 30th – July 5th, 2003. At the session, delegates from over 160 member countries of UNESCO World Heritage Convention agreed to include Phong Nha-Ke Bang park and 30 others worldwide in the list of world heritage sites. Phong Nha-Ke Bang National Park meets with criteria viiii in accordance with UNESCO’s appraisal scale since it displays an impressive amount of evidence of earth’s history and is a site of importance for increasing human understanding of the geologic, geomorphic and geo-chronological history of the region.
Physical features:
Criterion (viii): Phong Nha is part of a larger dissected plateau, which also encompasses the Ke Bang and Hin Namno karsts. The limestone incontinuously demonstrates the complexity interbedding with shales and sandstones. This, together with the capping of schists and apparent granites has led to a particularly distinctive topography.
Looking into the caves, you may recognize discrete episodic sequences of events, leaving behind various levels of fossil passages, formerly buried and now uncovered palaeokarst (karst from previous, perhaps very ancient, periods of solution); evidence of major changes in the routes of underground rivers; changes in the solutional regime; deposition and later re-solution of giant speleothems and unusual features such as sub-aerial stromatolites. The location and form of the caves suggest that they might owe much of their size and morphology to some as yet undetermined implications of the schists and granites which overlay the limestone. On the surface, there is a striking series of landscapes, ranging from deeply dissected ranges and plateaux to an immense polje. There is evidence of at least one period of hydrothermal activity in the evolution of this ancient mature karst system. The plateau is probably one of the finest and most distinctive examples of a complex karst landform in SE Asia.
Cultural heritage:
The oldest evidence of human occupation of the area are Neolithic axe heads and similar artefacts found in some of the caves. There are some relics of Ham Nghi King, a final King of the Nguyen dynasty before the French colonial period, at the Maria Mountain in the north of the Park. Currently the Arem, Ma Coong and Ruc ethnic groups live in two villages in the core zone of Phong Nha Ke - Bang National Park. Until 1962 these indigenous people lived in the forest in houses made of bamboo and leaves or in the caves, living from forest products and hunting. They used simple tools and their clothes were made from the bark of a toxic forest tree (Antiaris toxicaria) and lianas.
Since 1992 the Government of Vietnam has set up two new settlements for these 475 people, who are the two smallest ethnic groups in Vietnam. These people are familiar with a number of economically valuable species, especially precious timber such as Mun and Hue (Diospyros spp., Dalbergia rimosa), and oil-extraction from species such as Tau (Hopea hainanensis) and many medicinal plants. The Phong Nha Cave has long been a site of religious and touristic importance, with an old Cham Temple discovered in the cave and it was a site of worship in the ninth and tenth centuries. During the war with the USA the Phong Nha - Ke Bang forest and caves were a garrison and weapons store for the Vietnamese army.
Conservation value:
Phong Nha-Ke Bang National Park is of high conservation value as one of the largest areas of intact forest habitat remaining in Vietnam. As part of a continuous forest block with the neighbouring Him Namno Biodiversity Conservation Area in Laos it forms one of the largest areas of forest on limestone karst in Indochina. The presence of tall lowland forest, which is regionally threatened as a habitat type, in the National Park increases the area's conservation value.
Tourist activities
The number of tourists has increased dramatically since the park was listed in UNESCO's World Heritage Sites. Tourism activities in the area are the responsibility of the Trading and Tourism Department of Quang Binh province, with 280 international standard rooms in the province and 8 vehicles with capacities of 4 to 15 seats for tourist transportation. The forest guards of Son Trach commune in Bo Trach district are placed on tourist security duty.
Quang Binh Province has invested into upgrading the Phong Nha-Ke Bang visitor site to turn it into one of Vietnam's major tourist destinations.
Multiple eco-tourist projects have been licensed for development and the area is being heavily developed by the province to turn it into a major tourist site in Vietnam. Phong Nha Ke Bang is part of a tourism promotion program called: "Middle World Heritage Road" which includes the ancient capital of Hue, the Champa relics of My Son, the city of Hoi An, nha nhac and the Space of Gong Culture in the Central Highlands of Vietnam.
Tourist activities in Phong Nha-Ke Bang National Park are organized by local travel agencies and vary in form:
• Tour for expedition of caves and grottos in boats and with professional cave expedtion means.
• Ecotourism, discovering the florae and fauna in this national park in the Ke Bang Forest.
• Mountain climbing: There are extreme sloping mountains here with a height of over 1,000 m, which is a real challenge for adventurous climbers
In order to facilitate the increasing flow of tourists to the site, the Dong Hoi Airport was constructed and is due to be operational at the end of 2008.
Phong Nha-Ke Bang, together with Ha Long Bay and Fanxipan of Vietnam, is listed as a candidate for 7 new world natural wonders vote. As of February 12, 2008 it ranked 10th in the voting list
In summary, Phong Nha displays an impressive amount of evidence of earth’s history. It is a site of very great importance for increasing our understanding of the geologic, geomorphic and geo-chronological history of the region.
Hoi An Ancient Town
Hoi An Ancient Town is an exceptionally well-preserved example of a South-East Asian trading port dating from the 15th to the 19th century. Its buildings and its street plan reflect the influences, both indigenous and foreign, that have combined to produce this unique heritage site.
Location : Hoi An is located approximately 30 km south of Da Nang, the fourth largest city in Vietnam, where the estuary of the Thu Bon River (the largest in Khannam Danang Province) flows into the East China Sea. Today, Hoi An port has a simple quay and the water is shallow. However, between the 16th and 18th centuries, the city was a prosperous international trading port and its seashore had a protective formation of sandbanks surrounding a bay, which provided a safe anchorage for ships in those days.
The name "Hoi An" refers both to the town and the surrounding community which includes several villages (xa). Present-day Hoi An consists of 6 villages (Ming Phuong, Hoi An, Kochai, Dong An, Zie Hom, Ho Hua) and the town of Hoi An.
The town of Hoi An is composed of 3 districts (phuong). These are divided into smaller units called khu, vuc, xa. There are also neighborhoods (to) which are the smallest units.
Outline of the Heritage : Hoi An, formerly called Fai Fo, was a port town used as a relay trading base for Southeast Asia. Wooden tradesmen's houses, Chinese merchants' club-houses , Emperor Kwang's Shrine, etc., stand along Kyanhou, running parallel with the Thu Bon River, and facing two streets: Nguyenchiminhkai and Nguyentaihok. It is supposed there was a Japanese town, similar to the o-ne in Ayutthaya,Thailand, between the 15th and 16th centuries, and Imari ceramic ware was discovered as evidence of the trading. Although the town has come to assume its present appearance since the latter half of the 18th century, the mixture of various cultures it embraces has been attracting a great number of tourists.
Location : Hoi An is located approximately 30 km south of Da Nang, the fourth largest city in Vietnam, where the estuary of the Thu Bon River (the largest in Khannam Danang Province) flows into the East China Sea. Today, Hoi An port has a simple quay and the water is shallow. However, between the 16th and 18th centuries, the city was a prosperous international trading port and its seashore had a protective formation of sandbanks surrounding a bay, which provided a safe anchorage for ships in those days.
The name "Hoi An" refers both to the town and the surrounding community which includes several villages (xa). Present-day Hoi An consists of 6 villages (Ming Phuong, Hoi An, Kochai, Dong An, Zie Hom, Ho Hua) and the town of Hoi An.
The town of Hoi An is composed of 3 districts (phuong). These are divided into smaller units called khu, vuc, xa. There are also neighborhoods (to) which are the smallest units.
Outline of the Heritage : Hoi An, formerly called Fai Fo, was a port town used as a relay trading base for Southeast Asia. Wooden tradesmen's houses, Chinese merchants' club-houses , Emperor Kwang's Shrine, etc., stand along Kyanhou, running parallel with the Thu Bon River, and facing two streets: Nguyenchiminhkai and Nguyentaihok. It is supposed there was a Japanese town, similar to the o-ne in Ayutthaya,Thailand, between the 15th and 16th centuries, and Imari ceramic ware was discovered as evidence of the trading. Although the town has come to assume its present appearance since the latter half of the 18th century, the mixture of various cultures it embraces has been attracting a great number of tourists.
Labels:
Ancient town,
Central Vietnam,
Da Nang province,
Hoi an
Vietnam heritage - My Son
My Son, located 69 km southwest of Danang, was an imperial city during the Cham dynasty, between the 4th and 12th centuries. My Son Sanctuary is a large complex of religious relics that comprises more than 70 architectural works. They include temples and towers that connect to each other with complicated red brick designs. The main component of the Cham architectural design is the tower, built to reflect the divinity of the king.
According to records on the stone stele, the prime foundation of the ancient My Son architectural complex was a wooden temple to worship the Siva Bhadresvera genie. In the late 16th century, a big fire destroyed the temple. Step by step, historical mysteries were unveiled by scientists. Through stone stele and royal dynasties, they proved My Son to be the most important Holy Land of the Cham people from the late 4th to the 15th centuries. For many centuries, the Cham built Lip, a mutually linked architectural complex, with baked bricks and sandstone. The main temple worships the Linga-Yoni, who represents the capability of invention. Beside the main tower (Kalan) are several sub-towers worshipping Genies or deceased kings. Although time and the wars have destroyed some towers, the remaining sculptural and architectural remnants still reflect the style and history of the art of the Cham people. Their masterpieces mark a glorious time for the architecture and culture of the Cham, as well as of Southeast Asia.
Each historical period has its own identity, so that each temple worshipping a genie or a king of a different dynasty has its own architectural style full of different impression. All of the Cham towers were built on a quadrate foundations and each comprises three parts: a solid tower base, representing the world of human beings, the mysterious and sacred tower body, representing the world of spirits, and the tower top built in the shape of a man offering flowers and fruits or of trees, birds, animals, etc., representing things that are close to the spirits and human beings.
According to many researchers of the ancient Cham towers, the architectural art of the Cham towers at My Son Sanctuary is the convergence of different styles, including the continuity of the ancient style in the 7th-8th centuries, the Hoa Lai style of the 8th-9th centuries, the Dong Duong style from the mid-9th century, the My Son and My Son-Binh Dinh styles, etc. Among the remnants of many architectural sites excavated in 1898, a 24 metres high tower was found in the Thap Chua area and coded A I by archaeologists and researchers on My Son. This tower is a masterpiece of ancient Cham architecture. It has two doors, one in the east and the other in the west. The tower body is high and delicate with a system of paved pillars; six sub-towers surround the tower. This two storey tower looks like a lotus flower. The top of the upper layer is made of sandstone and carved with elephant and I ion designs. In the lower layer, the walls are carved with fairies and water evils and men riding elephants. Unfortunately, the tower was destroyed by US bombs in 1969.
After the My Son ancient tower complex was discovered, many of its artifacts, especially statues of female dancers and genies worshipped by the Cham people, worship animals and artifacts of the daily communal activities, were collected and displayed at the Cham Architecture Museum in Danang city. Although there are not many remnants left, those that remain display the typical sculptural works of cultural value of the Cham nationality. Furthermore, they are vivid proof, confirming the history of a nationality living within the Vietnamese community boasting of a rich cultural tradition.
According to records on the stone stele, the prime foundation of the ancient My Son architectural complex was a wooden temple to worship the Siva Bhadresvera genie. In the late 16th century, a big fire destroyed the temple. Step by step, historical mysteries were unveiled by scientists. Through stone stele and royal dynasties, they proved My Son to be the most important Holy Land of the Cham people from the late 4th to the 15th centuries. For many centuries, the Cham built Lip, a mutually linked architectural complex, with baked bricks and sandstone. The main temple worships the Linga-Yoni, who represents the capability of invention. Beside the main tower (Kalan) are several sub-towers worshipping Genies or deceased kings. Although time and the wars have destroyed some towers, the remaining sculptural and architectural remnants still reflect the style and history of the art of the Cham people. Their masterpieces mark a glorious time for the architecture and culture of the Cham, as well as of Southeast Asia.
Each historical period has its own identity, so that each temple worshipping a genie or a king of a different dynasty has its own architectural style full of different impression. All of the Cham towers were built on a quadrate foundations and each comprises three parts: a solid tower base, representing the world of human beings, the mysterious and sacred tower body, representing the world of spirits, and the tower top built in the shape of a man offering flowers and fruits or of trees, birds, animals, etc., representing things that are close to the spirits and human beings.
According to many researchers of the ancient Cham towers, the architectural art of the Cham towers at My Son Sanctuary is the convergence of different styles, including the continuity of the ancient style in the 7th-8th centuries, the Hoa Lai style of the 8th-9th centuries, the Dong Duong style from the mid-9th century, the My Son and My Son-Binh Dinh styles, etc. Among the remnants of many architectural sites excavated in 1898, a 24 metres high tower was found in the Thap Chua area and coded A I by archaeologists and researchers on My Son. This tower is a masterpiece of ancient Cham architecture. It has two doors, one in the east and the other in the west. The tower body is high and delicate with a system of paved pillars; six sub-towers surround the tower. This two storey tower looks like a lotus flower. The top of the upper layer is made of sandstone and carved with elephant and I ion designs. In the lower layer, the walls are carved with fairies and water evils and men riding elephants. Unfortunately, the tower was destroyed by US bombs in 1969.
After the My Son ancient tower complex was discovered, many of its artifacts, especially statues of female dancers and genies worshipped by the Cham people, worship animals and artifacts of the daily communal activities, were collected and displayed at the Cham Architecture Museum in Danang city. Although there are not many remnants left, those that remain display the typical sculptural works of cultural value of the Cham nationality. Furthermore, they are vivid proof, confirming the history of a nationality living within the Vietnamese community boasting of a rich cultural tradition.
Labels:
Central Vietnam,
Da Nang province,
My Son Sanctuary
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